Amanda Chambers is a British multi-disciplinary artist.

Her work primarily considers our relationship to the past. She places particular emphasis on proximity, and how the use of handmade processes (often invented, traditional or low tech) creates an intimacy between the historical subject and the viewer.  In this way she gives physical form to the assertion by the author Hilary Mantel that,  'the past is not behind us, it is alongside'.

Subjects often revolve around cycles of conflict, with an interest in revealing lost, obscure or socio-political narratives.

Amanda regularly works with museums, archives and collections and increasingly explores the imagination in relation to the historical record.

She has undertaken residencies and exhibitions abroad, in Japan and Norway, and is currently the recipient of an Arts Council England research and development grant to develop her work in clay.

Amanda is a Fellow of the Royal Society of Arts (FRSA), a member of the Royal West of England Academy Artist Network (RWA) and Spike Island Associates.


Recent Exhibitions (Selected)

165 Annual Open Exhibition - Royal West of England Academy 1 Oct - 3 Dec 2017

Elemental Journey - Daiwa Foundation, London, October 2017

Journeys to Tadmor (Palmyra) - Bryggens Museum, Bergen, Norway,  June - September 2017

Coda (...) - Solo Exhibition - Edwardian Cloakroom, Bristol, 2016

164 RWA Annual Open Exhibition, Royal West of England Academy, 2016

The Light of the World - Solo Exhibition - Geneva Stop, Bristol, 2014


Shigaraki Ceramic Cultural Park, Japan - International Artists Residency Programme - 1 - 31 March 2017 - Funded by the Daiwa Foundation and the Great Britain Sasakawa Foundation.


Ceramic Review 289 - Elemental Journeys - Jan / Feb 2018

Daiwa Foundation - Annual Review 2016/2017

'Journeys to Tadmor' catalogue (Bymuseet, Norway) - June 2017

Ceramic Workshop No.85Seikondo Shinkansha, Japan) - May 2017

Ceramic Review 279  - 'Quiet Revolutions' - May / June 2016

Sylvia Townsend Warner Journal (UCL Press) - June 2016

Rethink Ceramic Art - Centre for Ceramic Art (CoCA), 2016


Japan Residency:

Daiwa Foundation - 'Elemental Journey' - 18 October 2017

Royal West of England Academy (RWA) Artist Network - 14 August 2017

Grants, Awards and Nominations

Arts Council England - Ceramics Research and Development - 2017- 2020

Axisweb - Selected four times in 2017 for Five2Watch and Category of the Week.

Daiwa Foundation - Shigaraki Ceramic  Cultural Park Residency, Japan - 2017

Great Britain Sasakawa Foundation - Shigaraki Ceramic  Cultural Park Residency, Japan - 2017

Projects and Collaborations (Selected)

Quiet Revolutions - a response to the lives of 20th century writers Sylvia Townsend Warner and her partner Valentine Ackland in ceramics and video. Research and resource material from the archives of the The Dorset County Museum and The Imperial War Museum, London. (2015)

The Light of the World - a project exploring the imaginary discovery of a camera obscura by an 18th century clergyman. Work included: hand built camera obscura images, sculpture and archival letter press prints made at the Bodleian Library print workshop, Oxford. The works were exhibited at the Geneva Stop Gallery, Bristol (2014)

Historic Instrument, Personal Legacy – Violinist, Tasmin Little OBE was invited to take part in a project exploring themes of legacy, imprint and inheritance, culminating in series of limited edition prints exhibited at St Georges Bristol (2012)

Great Chalfield Manor, National Trust –  exploration of 15th century masons marks, stone carving and graffiti (2011 / 2012)

Soldiers of Gloucestershire Museum – a project to produce full scale graphite impressions based on the First World War collection (2011)

The Red House, Aldeburgh – an exploration of Benjamin Britten’s artefacts culminating in a series of full scale graphite impressions (2006)

Bodleian Library, Oxford University – a research project into the 15th century medieval manuscript, ‘Master of Game’, leading to a series of limited edition prints (2006)

Natural History Museum – an investigation of the meteorite collection, resulting in a series of works based on the Estherville meteorite (2005)

Bristol Cathedral Artist in Residence – a 6 month residency exploring the nature of historic marks, evidence of human imprint and architectural forms. The final work culminated in an exhibition – Stone Landscapes at CREATE and participation in Open Doors Day (2004)

Education and Affiliations

B.A. (Hons) Fine Art, Coleg Gwent, Newport School of Art

Fellow Royal Society of Arts (FRSA)

Royal West Of England Academy of Art (RWA) Artist Network (Selected 2016)

Friend of the Bodleian Library

Tate member

British Museum member

Spike Island Associate


Amanda's practice is based at BV Studios and her home based ceramics studio in Bristol.

+44 (0) 777 594 7285

 Image: Max McClure

Image: Max McClure