Selection from the archive
The following works include: HIBAKUSHA (2016) hand thrown teapots in unfired clay with iron oxide powder, inspired by the survivors of the atomic bombing of Japan; EXHUME (2017), temporary installation in air drying clay, commissioned by Bergen University for their exhibition at Bryggens Museum, Norway - “Journeys to Tadmor”; STILBOESTROL (2018), ceramic wall hanging, inspired by the life and work of Alan Turing; AKAI MORI (Red Forest), 2020, ceramic sculpture designed for the sculptural park in Shigaraki, Japan, inspired by the toxic impact of the Chernobyl and Fukushima disasters; HIBAKUJUMOKU (Atomic-bombed trees), 2020, original surviving Hiroshima tree fibres wood-fired onto clay, one hundred ceramic sculptures commissioned by UN Affiliate Green Legacy Hiroshima; TANE, 2022, wood-fired ceramic sculptures commissioned by Oxford University and the Japanese Embassy London for the exhibition ‘Ash, Ember, Flame’.
RECENT WORKS - Shigaraki Ceramic Cultural Park (SCCP), Japan - Artist Residency Jan-Feb, 2026.
This residency period represents the first phase of experiments and prototypes utilising unfired clay slip and loaned earth with salvaged wood and hessian. The works also include the first tests of screen printing onto soil. The outcomes of this period will be developed during a 12 month period of research, analysis and construction testing.
IMAGES: Installation views from SCCP Gallery - February 2026. These initial works were presented under the working title “ For What We Are About To” an exploration of the possibilities of constructing designs for ‘Vertical’ tables in response to notions of dysfunctional domestic and political settings.
